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Fisheye lens face
Fisheye lens face









  1. Fisheye lens face pro#
  2. Fisheye lens face software#

The lens parameters will be initialized correctly, whereas PTGui 10 would sometimes mistake a wide angle rectilinear lens for a fisheye or vice versa. PTGui can now read most manufacturer dependent 'maker notes' this allows it to not only determine the focal length but in many cases also the actual lens brand and model. The Panorama Editor and Detail Viewer now benefit from OpenCL GPU acceleration.ĮXIF metadata parsing has been improved as well. Numerical Transform and the Panorama Settings tab have been moved to here as well. Tone mapping and exposure fusion settings can be edited right in the panorama editor's side bar. A collapsible side bar has been added to the panorama editor. Not so any more: you now get a live tone mapped or exposure fused preview.

Fisheye lens face pro#

No more blurry previews in the Panorama Editor or shimmering in the Detail Viewer! The panorama editor in PTGui Pro 10 had limited functionality when working with HDR panoramas. This gives a true WYSIWYG preview of the panorama, in real time, properly blended and anti aliased at screen resolution. The Panorama Editor and Detail Viewer now use the same stitching engine as used for the final render. The Image Parameters screen can be collapsed to show bracketed groups or it can be expanded to edit the parameters of individual images in each set. It is still possible to view individual images (by clicking on the thumbnails in the Control Points tab, or using the keyboard shortcut Ctrl+Alt+Up/Down on Windows, or Cmd+Alt+Up/Down on Mac). The control points editor simultaneously shows all control points for the combined images in two bracketed sets. So for example, when using 3 step bracketing you now only have to deal with 5 merged images instead of 15 individual images. Each bracketed set is represented by a single exposure fused thumbnail image. Throughout the entire user interface bracketed sets of images are now treated as a single image. In the Pro version handling of HDR panoramas has been much improved. And PTGui 11 is fully compatible with Retina screens and supports per-monitor high DPI under Windows. in the Control Points tab) have been replaced with image thumbnails, so you can see which image is which. The numbered tabs for selecting images (e.g. The side bar can be collapsed to make more space available. The familiar row of tabs at the top of the window have been moved to a vertical panel at the left side, to be more consistent with current user interface concepts. PTGui 11 uses collapsible panels to make the tools available where you need them but without occupying precious screen real estate. The most obvious change is a new modern, dark themed user interface: So we've taken a step back and rebuilt much of PTGui's foundation, and PTGui 11 is the result! So what's new? And of course user interface design has changed a lot over the years and PTGui was starting to look dated. Some of the original design decisions were hampering the implementation of certain features.

Fisheye lens face software#

Over the past 17 years software development technologies have evolved significantly. But we've found that more and more ideas remained on the shelf because they would require major changes to the inner workings of PTGui. Why did it take so long? Over the years we've gathered many ideas for improvements and new functionalities in PTGui and many of those features have been implemented over time. It can be done, I promise.After more than three years of preparation we're proud to release PTGui 11! Pay careful attention to the corners and look for distortion before you shoot. For me the big save always come with simple composition. I've shot for years using a wide angle lens with countless assignments requiring a portrait of sorts. In a true portrait (you are controlling the scene, not just working with it) make sure your subject is looking at the camera.

fisheye lens face

This can be an effective way to mask distortion.

  • To avoid the "clown nose" back up a few feet and prepare to crop AND/OR use your environment to frame your subject.
  • Distortion happens at the edges OR if you are too close.
  • Move people/faces/subject to the CENTER of the frame.
  • Keep your camera plane parallel with the subject (or use the distortion to your advantage).
  • However, portraits can be made with wide primes. Wide angles are great for so many things, but it's so nice, especially in instances like you're describing, to zoom to 50mm and make a portrait. This allows for more of the real world variables you run into. As a photojournalist I must say I prefer a fixed aperture lens with some versatility, say a 2.8 24-70mm.











    Fisheye lens face